The Evolution of Art Criticism
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Ropac’s first show of Katz’s paintings in Paris in the early ’90s “was a complete shock to many Europeans, together with museum curators,†he said. The Centre Pompidou, which held works by American peers like Jasper Johns but not one by Katz, bought one. And the fever spread, as Ropac stated; at last depend he’d offered almost 50 pieces to European establishments, with the Albertina Museum in Vienna acquiring work by the artist in depth.
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